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Domenico Fetti Italian painter ,
Rome 1589 - Venice 1623
was an Italian Baroque painter active mainly in Rome, Mantua and Venice. Born in Rome to a little-known painter, Pietro Fetti, Domenico is said to have apprenticed initially under Ludovico Cigoli, or his pupil Andrea Commodi in Rome from circa 1604-1613. He then worked in Mantua from 1613 to 1622, patronized by the Cardinal, later Duke Ferdinando I Gonzaga. In the Ducal Palace, he painted the Miracle of the Loaves and Fishes. The series of representations of New Testament parables he carried out for his patron's studiolo gave rise to a popular specialty, and he and his studio often repeated his compositions. In August or September 1622, his feuds with some prominent Mantuans led him to move to Venice, which for the first few decades of the seventeenth century had persisted in sponsoring Mannerist styles (epitomized by Palma the Younger and the successors of Tintoretto and Veronese). Into this mix, in the 1620s?C30s, three "foreigners"??Fetti and his younger contemporaries Bernardo Strozzi and Jan Lys??breathed the first influences of Roman Baroque style. They adapted some of the rich coloration of Venice but adapted it to Caravaggio-influenced realism and monumentality. In Venice where he remained despite pleas from the Duke to return to Mantua, Fetti changed his style: his formalised painting style became more painterly and colourful.
Domenico Fetti hero och leander cirka 1622-23
pa poppeltra 96x42cm
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Painting ID:: 74603
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Domenico Fetti Archimedes Thoughtful 1620
Oil on canvas
98 x 73,5 cm
cjr
Painting ID:: 74906
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Domenico Fetti Saint Mary Magdalene Penitent 1615
Oil on canvas
99 x 77 cm
cjr
Painting ID:: 76461
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Domenico Fetti Saint Mary Magdalene Penitent Date 1615
Medium Oil on canvas
Dimensions 99 x 77 cm
cyf
Painting ID:: 83752
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Domenico Fetti Melancholy Date ca. 1622(1622)
Medium Oil on canvas
Dimensions 179 x 140 cm (70.5 x 55.1 in)
cjr
Painting ID:: 84610
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Domenico Fetti Parable of the Lost Drachma Date ca. 1618(1618)
Medium Oil on wood
Dimensions Height: 75 cm (29.5 in). Width: 44 cm (17.3 in).
cjr
Painting ID:: 84665
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Domenico Fetti Parable of the Lost Drachma Date between 1618(1618) and 1622(1622)
Medium Oil on wood
Dimensions Height: 55 cm (21.7 in). Width: 44 cm (17.3 in).
cjr
Painting ID:: 87584
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Domenico Fetti The Parable of the Mote and the Beam c. 1619
Medium English: Oil on wood
Dimensions English: 24 1/8 x 17 3/8 in. (61.3 x 44.1 cm)
cjr
Painting ID:: 87669
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Domenico Fetti Melancholy 1622(1622)
Medium Oil on canvas
Dimensions 179 x 140 cm (70.5 x 55.1 in)
cyf
Painting ID:: 88459
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Domenico Fetti Parable of the Lost Drachma 1618(1618)
Medium Oil on wood
cyf
Painting ID:: 88976
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Domenico Fetti Parable of the Wicked Servant c. 1620(1620)
Medium Oil on canvas
Dimensions 61 x 44,5 cm
cjr
Painting ID:: 89676
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Domenico Fetti Hero and Leander between 1622(1622) and 1623(1623)
Medium oil on panel
cyf
Painting ID:: 90408
X
Domenico Fetti The Parable of the Vineyard 1618(1618)
Medium oil on panel
Dimensions Height: 76 cm (29.9 in). Width: 45 cm (17.7 in).
cyf
Painting ID:: 92832
X
Domenico Fetti Idealbildnis eines Gonzaga um 1620
Medium oil on canvas
Dimensions Deutsch: 101 x 88
cjr
Italian painter ,
Rome 1589 - Venice 1623
was an Italian Baroque painter active mainly in Rome, Mantua and Venice. Born in Rome to a little-known painter, Pietro Fetti, Domenico is said to have apprenticed initially under Ludovico Cigoli, or his pupil Andrea Commodi in Rome from circa 1604-1613. He then worked in Mantua from 1613 to 1622, patronized by the Cardinal, later Duke Ferdinando I Gonzaga. In the Ducal Palace, he painted the Miracle of the Loaves and Fishes. The series of representations of New Testament parables he carried out for his patron's studiolo gave rise to a popular specialty, and he and his studio often repeated his compositions. In August or September 1622, his feuds with some prominent Mantuans led him to move to Venice, which for the first few decades of the seventeenth century had persisted in sponsoring Mannerist styles (epitomized by Palma the Younger and the successors of Tintoretto and Veronese). Into this mix, in the 1620s?C30s, three "foreigners"??Fetti and his younger contemporaries Bernardo Strozzi and Jan Lys??breathed the first influences of Roman Baroque style. They adapted some of the rich coloration of Venice but adapted it to Caravaggio-influenced realism and monumentality. In Venice where he remained despite pleas from the Duke to return to Mantua, Fetti changed his style: his formalised painting style became more painterly and colourful.
